The video, barely two minutes long, was uploaded to social media by an audience member who captioned it simply: “She owned the stage. Dylan would be proud.” What followed was an avalanche of views, comments, and shares. Within 48 hours, the clip had over 10 million views across platforms. And soon after, major music pages, Dylan fan forums, and even celebrity artists were resharing the performance with comments like “haunting,” “spellbinding,” and “Bob Dylan reborn in the Himalayas.”
It began as an ordinary evening at a craft brewery tucked in the misty hills of Shillong, the unofficial rock capital of India. But what unfolded on stage that night would ripple across the globe in less than 24 hours. A woman, dressed in intricate, traditional ethnic attire, stepped into the spotlight with quiet confidence — and when she opened her mouth to sing Bob Dylan’s “Everything is Broken,” the world seemed to pause.
By the end of the performance, phones were out, hearts were full, and the internet was about to catch fire.
The video, barely two minutes long, was uploaded to social media by an audience member who captioned it simply: “She owned the stage. Dylan would be proud.” What followed was an avalanche of views, comments, and shares. Within 48 hours, the clip had over 10 million views across platforms. And soon after, major music pages, Dylan fan forums, and even celebrity artists were resharing the performance with comments like “haunting,” “spellbinding,” and “Bob Dylan reborn in the Himalayas.”
But who was this woman?
That question, oddly, became the second biggest mystery of the event. At first, no one seemed to know her name. The brewery had no record of the performer beyond “open mic night – local talent.” Some thought she was a visiting artist from Northeast India, others speculated she was a traveling folk singer. A few insisted she was a well-known regional star performing under an alias. As theories flew, people began scouring through comments, frame-by-frame analysis of the video, even facial recognition.
Eventually, local journalists in Meghalaya identified her: Rina Kharsyntiew, a 27-year-old school teacher from Cherrapunji, known among friends for her soulful voice and deep love of protest music. She had performed at weddings, churches, and small cafés — but had never recorded professionally. In a short interview with a local radio station, Rina admitted she had no idea the video had gone viral until her cousin called her from Mumbai screaming: “You’re on Rolling Stone India!”
When asked why she chose Dylan’s “Everything is Broken,” her answer was simple: “Because everything is broken. In the world, in our hearts sometimes. But somehow singing it makes it less heavy.”
What stunned audiences wasn’t just her pitch-perfect rendition or the raw grit in her voice — it was the visual paradox. Clad in a handwoven jainsem and silver tribal jewelry, Rina’s look contrasted dramatically with the harsh, jaded tone of Dylan’s lyrics. And yet, the way she owned the words, bending them to her world, gave them new life. A few commenters called it “Dylan reimagined through a Khasi lens,” others said it was “folk becoming truly global.”
Music critic Arjun Sethi noted in his viral tweet: “It’s not just the performance. It’s what it symbolizes — a young woman from a corner of India singing an American folk icon’s lament about decay, and turning it into something strangely hopeful.”
The moment also reignited a wider conversation about Bob Dylan’s global reach and how his songs, once rooted in 1960s Americana, now resonate deeply with people far beyond his native Minnesota. From Nobel lectures to TikTok, Dylan’s words seem to find fresh interpreters in every generation and geography — and Rina may have become the latest muse in that lineage.
Interestingly, her performance also caught the attention of Dylan superfan forums, with some members comparing it to covers by Adele, Patti Smith, and Norah Jones. One post read: “I’ve heard ‘Everything is Broken’ a hundred times. But never like this. It felt… sacred.”
Offers began flooding in. A local record label in Guwahati reached out to Rina for a possible folk EP. A European podcast requested an interview. Even a Dylan tribute project in the US floated the idea of flying her out to perform at their next annual festival. But through it all, Rina has remained grounded. In her most recent interview, she smiled and said: “I’ll keep teaching during the week. Maybe I’ll sing on weekends.”
When asked if she’d like to meet Dylan someday, her response was quietly moving: “If I do, I’ll just say thank you. For the words. For the anger. For the truth.”
As the internet moves on, as it always does, the video of Rina in that smoky brewery remains a stunning reminder of music’s power — to travel, to transform, and to touch even the most unexpected corners of the world. Bob Dylan once wrote that the times were a-changin’. That night in Shillong, one voice — rooted in culture, history, and honesty — reminded us that some songs never stop changing lives.